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ņŊńʼnŒŐŎŌňʼnŁ ŏŁňŕŌň¨ňŁ ŏŎŊńŋŎœ ʼnŁň ŋňŊňŒŁŐňőŋŎő

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ŮůŬŞůŦŴůŦŧśŭ ŧŞŦ ›ūŨŦůŦŧśŭ ŤŠŢŮŜŞŭ ũŞ «›ŢŜŮŢŦ» ůūŰŭ ›ūŨŜůŢŭ-ųŤűūűŷŬūŰŭ ŮŢ

ťŚ—ŞůŞ, ›ūŰ ř›ůūũůŞŦ ůŷŮū ůŤŭ şŬŞŲŰŲŬŷũŦŞŭ ŷŮū ŧŞŦ ůŤŭ —ŞŧŬūŲŬŷũŦŞŭ ŢŪŴ-

ůŢŬŦŧśŭ ŧŞŦ Ş—ŰũůŦŧśŭ ›ūŨŦůŦŧśŭ ůŤŭ ŲŹŬŞŭ. ńŜũŞŦ —řŨŦŮůŞ řŪŦū ›ŬūŮūŲśŭ ŷůŦ

ū ŧŞťūŬŦٗŷŭ ůūŰ ŞũůŦ›řŨūŰ ŮŢ ŧřťŢ ›ŞŦŲũŜšŦ, ŷ›ūŰ ŧŞůř ŧŸŬŦū ŨŷŠū ŧŰŬŦŞŬ-

ŲūŸũ ŨŞūŜ ŧŞŦ ŲŹŬŢŭ ůŤŭ ŋŚŮŤŭ ŧŞŦ ńŰŬŸůŢŬŤŭ ŁũŞůūŨśŭ, ůŤŭ ŁűŬŦŧśŭ, ůŤŭ ŊŞ-

ůŦũŦŧśŭ Ł—ŢŬŦŧśŭ ŧŞŦ ůŤŭ ŌŷůŦŞŭ ŧŞŦ-ŁũŞůūŨŦŧśŭ ŁŮŜŞŭ, ŢũŹ ŢũůŚŲũŴŭ Ş›ūŰŮŦř-

ţūŰũ ūŦ ŊŢŰŧūŜ-ʼnŞŰŧřŮŦūŦ ŧŞŦ ŲŹŬŢŭ ůŤŭ ¨ŸŮŤŭ,

47

Ůۗ›Ŝ›ůŢŦ ŲŬūũŦŧř —Ţ ůŦŭ ŠŢ-

Ŵ-›ūŨŦůŦŧŚŭ ŧŞŦ ŠŢŴ-ŮůŬŞůŤŠŦŧŚŭ ŞũřŠŧŢŭ ůŴũ Ţũŷ›ŨŴũ šŰũř—ŢŴũ ůŴũ ņŏŁ ůŤ

—ŢůŞųŰŲŬū›ūŨޗŦŧś ›ŢŬŜūšū.

ŒŚŨūŭ, ůŞ ŤŨŢŧůŬūũŦŧř ›ŞŦŲũŜšŦŞ ›ūŨŚ—ūŰ ŚšŢŦŪŞũ ũ’Ş›ūůŢŨūŸũ ůū ŧŞŨŸůŢŬū

ŜŮŴŭ ŷŲŤ—Ş ŠŦŞ ůŤũ Ş›ūšūŲś Ş›ŷ ůŤũ ŧūŦũŴũŜŞ ůŤŭ —ŢůřşŞŮŤŭ ůŴũ Ţũŷ›ŨŴũ

šŰũř—ŢŴũ ŮůŤũ ޛūŲś ůūŰ ›ŨŤŬūűūŬŦŞŧūŸ ŧŞŦ ŤŨŢŧůŬūũŦŧūŸ ›ūŨŚ—ūŰ.

48

ŎŦ ŬŞ-

ŠšŞŜŢŭ ŢŪŢŨŜŪŢŦŭ Ůůūũ ůŢŲũūŨūŠŦŧŷ ůū—ŚŞ ŧŞŦ ůŦŭ ťŢůŦŧŚŭ ޛŦŮůś—Ţŭ (űŰŮŦŧś, ŲŤ-

—ŢŜŞ, şŦūŨūŠŜŞ ŧŞŦ ŤŨŢŧůŬūũŦŧūŸŭ ۛūŨūŠŦŮůŚŭ) ŧŞůř ůŤ —ŢůŞųŰŲŬū›ūŨޗŦŧś

›ŢŬŜūšū, śůŞũ űŰŮŦŧŷ ũŞ ŚŲūŰũ ›ŬūŧŞŨŚŮŢŦ ůū ŢũšŦŞűŚŬūũ ŧŞŦ ũŞ Ű›ūŮůŤŬŦ-

ŲůūŸũ ř—ŢŮŞ ŧŞŦ —Ţ ŮťŚũūŭ Ş›ŷ ůŦŭ ŜšŦŢŭ ůŦŭ Śũū›ŨŢŭ šŰũř—ŢŦŭ. ŎŦ Ş›ŞŦůśŮŢŦŭ

ŠŦŞ šŦŞůśŬŤŮŤ ůŤŭ ťŚŮŤŭ ůŤŭ —ūũŞšŦŧśŭ ›ŞŠŧŷٗŦŞŭ ۛŢŬšŸũŞ—Ťŭ, ŮŢ ŮŰũšŰ-

ŞŮ—ŷ —Ţ ůŤũ Ş›ŬūťŰ—ŜŞ ›ūŨŦůŹũ ŞŨŨř ŧŞŦ ›ūŨŦůŦŧŹũ ŠŦŞ Ţ›ŦŮůŬūűś Ůůū ťŢٗŷ

ůŤŭ ۛūŲŬŢŴůŦŧśŭ ŮůŬřůŢŰŮŤŭ, ūšŤŠūŸŮŞũ šŜŲŴŭ šŢŸůŢŬŤ ŮŧŚųŤ ŮůŤũ ŢũŞ›ŷ-

ťŢŮŤ ůŴũ ŢŨ›ŜšŴũ ůŤŭ ŮůŬŞůŦŴůŦŧśŭ ŤŠŢŮŜŞŭ ŮůŦŭ «ŞŬŢůŚŭ» ůŤŭ ůŢŲũūŨūŠŜŞŭ.

49

ņ ŞũřŠŧŤ ŠŦŞ ›ŬŞŠ—Şůū›ūŜŤŮŤ ŮůŬŞůŦŴůŦŧŹũ ŲůۛŤ—řůŴũ Ş›ŷ —ŢŠřŨŢŭ Ş›ū-

ŮůřŮŢŦŭ, —Ţ ŞŧŬŜşŢŦŞ ŧŞŦ Ş›ūůŢŨŢٗŞůŦŧŷůŤůŞ šŜŲŴŭ ůŤ ŲŬśŮŤ —ŢŠřŨūŰ ŞŬŦť-

—ūŸ ŮůŬŞůŦŴůŦŧŹũ —ūũřšŴũ ŧŞŦ ůŤũ ›ŬŷŧŨŤŮŤ ťŰ—řůŴũ Ş›ŷ ůŤũ ›ŨŢŰŬř ůŴũ

47. łŨŚ›Ţ, —ŢůŞŪŸ řŨŨŴũ, A. Sze-Fou Shiu, “What Yellowface Hides: Video games, White-

ness and the American Racial Order”,

Journal of Popular Culture,

Vol.39, No.1, (2006) ŧŞŦ

V. Sisler, “Digital Arabs: Representation in Video Games”,

European Journal of Cultural

Studies,

Vol.11, No.2, (2008).

48. őۗűŴũŹũůŞŭ —Ţ ůūũ Gray ŷůŦ ūŦ ŞŨŨŞŠŚŭ-ޛŞũŞŮůřŮŢŦŭ ŮŢ ŮůŬŞůŦŴůŦŧř ţŤůś—ŞůŞ

ŞũůŦŧŞůŬū›ůŜţūŰũ ůŤũ ŧūŦũŴũŜŞ Ş›ŷ ůŤũ ū›ūŜŞ ›ŬūśŨťŞũ [C. Gray,

Strategy for Chaos:

Revolution for Military Affairs and the Evidence of History

(London: Frank Cass, 2002)

ŮŢŨ.50], ūŦ Ł—ŢŬŦŧŞũŦŧŚŭ ĺũū›ŨŢŭ ¨Űũř—ŢŦŭ ŚŲūũůŞŭ —řťŢŦ ůū —řťŤ—ř ůūŰŭ Ş›ŷ ůŤũ

›ŢŬŜ›ůŴŮŤ ůūŰ ŏūŨŚ—ūŰ ůūŰ łŦŢůũř—, ŷ›ūŰ Ť ŧūŦũŴũŜŞ šŢũ ůūŰŭ ŮůśŬŦŪŢ, [J.C.Rowe and

R.Berg (eds),

The Vietnam War and American Culture

(New York: Columbia University

Press, 1991)] —řŨŨūũ «ŢŜšŞũ» ŮůŞ ŤŨŢŧůŬūũŦŧř ›ŞŦŲũŜšŦŞ ›ūŨŚ—ūŰ ůū —ŚŮū ůū ū›ūŜū ťŞ

ŚűŢŬũŢ ůŤũ ŧūŦũŴũŜŞ ›Ŧū ŧūũůř ŮůŤũ ŧŞůŞũŷŤŮŤ ůūŰ ŚŬŠūŰ ůūŰŭ šŜŲŴŭ ūŦ ŮůŬŞůŦŴůŦŧūŜ

ũŞ ŧŞůŤŠūŬŤťūŸũ ŠŦŞ ›Ŭū›ŞŠřũšŞ. łŨŚ›Ţ ŢũšŢŦŧůŦŧř, P. Virilio,

Strategy of Deception

(London: Verso, 2000) ŧŞŦ A. Bacevitch,

The New American Militarism: How Americans

Are Seduced by War

(Oxford: Oxford University Press, 2005)

49. Ch. Moskos, J. Williams and D. Segal (eds),

The Postmodern Military: Armed Forces after

the Cold War

(New York: Oxford University Press, 1999), R.Scales,

Future Warfare

(Car-

lisle Barracks, US Army War College, 2000)